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Showing posts with label Academy Awards. Show all posts
Showing posts with label Academy Awards. Show all posts

Wednesday, November 1, 2017

Sir Alfred's Notorious Notations



It all began with one word; one simple word spoken softly to her baby boy; Alfred: BOO. Putting this into a certain perspective it makes perfect sense. The young startled child becomes the unchallenged “Master of Suspense” and the architect of many scares and thrills tempered with an arcane joy and sly humor. If you had only known; Mother Hitchcock; if you had only known.

The films; the films, the films…were Alfred Hitchcock’s greatest achievements. Many of his offerings being among the best ever…all worth seeing. This cinematic maestro directed and produced wonderfully entertaing and textbook examples of excellence. Dial “M” for Murder, Psycho, North by North West, Rear Window, Rebecca and on and on. His work dates back to the “Silent Era” and well into “The Talkies” "Vistavision" and "Technicolor." His influence is immeasurable and continues to this present day. His editing and visual story-telling skills are original and at best imitated and adapted by the many.  To a degree every director to follow him that includes any suspense or mystery pays tribute to Sir Alfred.


As edited into individual scenes many stand out as extravagant and compelling unto themselves. Including a few examples; the crop-dusting plane’s pursuit of Cary Grant in North by North West, the carnival carousel run amok  in Strangers on a Train and possible his “Hallmark” achievement the much admired and studied shower scene starring Janet Leigh in Psycho.


Growing up my generation had the pleasure of watching the original airings of the T.V. series “Alfred Hitchcock Presents” episodes were written by great story-tellers including the likes of Roald Dahl and Ray Bradbury. A high light of the show was Hitchcock walking his silhouette into his own line drawing caricature. This to the tune of Charles Gounod’s “Funeral March of a Marionette.” He had a brief interesting; abundantly clever intro and closing tailored for each broadcast that were often the best part of the black and white television shorts. After seven television seasons and eighty two feature film Hitchcock is truly the bench mark.     



























Classic Promo for "The Birds"

Returning briefly to Alfred’s formative years; he was indeed blessed with two loving parents and I dare not leave out his father. He had his own unique contributions and places within the director’s psyche. Alfred Hitchcock related this story on occasion that goes something like this:  In response to some “minor” indiscretion young Alfred’s father hands him a folded note and instructed him to take it to the police station a few blocks from his home. Five year old Alfred dutifully walks to the station, enters and hands the desk officer the note. 


                                                                         
                                                                   
  The officer reads the note, shows no discernable emotional, pauses and then,  without words or ceremony takes Alfred into the back to an empty cell, places the child inside and closes the door with the finality and resonate cold, clanging thud that only an iron bared door can make. This followed with the disheartening turning of the key and the walking away of the officer again emotionless and wordless. After a brief period the officer returns to release Alfred sending him on his way, forever changed, forever fearful and full of an imaginative respect of the possibabality of future incarceration.                                                      


“The Birds” was the first Hitchcock film I was prividgled to see and it was showing at the local theater. The nation was talking about this amazing film so my friends and I had great anticipation as we walked to the theatre. This was the most recent “Hitchcock” release, the year was 1963. I was 10…just slightly younger than one of the film’s stars; Veronica Cartwright. This gave us a unique window into the happenings onscreen. We all were delightfully and sufficiently scared, thrilled, baffled and compelled to see it at least four more times during this initial release. They say the first love is the greatest and The Birds remains among my favored film treasures and memories.










Hitchcock Quotes

Man does not live by murder alone. He needs affection, approval, encouragement and, occasionally, a hearty meal.

Always make the audience suffer as much as possible

There is no terror in the bang, only in the anticipation of it.

The length of a film should be directly related to the endurance of the human bladder.

Film your murders like love scenes, and film your love scenes like murders.

Mystery is an intellectual process... But suspense is essentially an emotional process.

Give them pleasure - the same pleasure they have when they wake up from a nightmare.

The silent pictures were the purest form of cinema

Fear isn't so difficult to understand. After all, weren't we all frightened as children? Nothing has changed since Little Red Riding Hood faced the big bad wolf. What frightens us today is exactly the same sort of thing that frightened us yesterday. It's just a different wolf. This fright complex is rooted in every individual.


I have a feeling that inside you; somewhere, there's somebody nobody knows about, feelings, nobody knows


Wednesday, September 3, 2014

Michael Zulli TMNT



Eastman and Laird’s Ninja Turtles are back; this time in a new hit movie. It’s not their first time on film but this is the best version to date; a solid entertainment. Since their 1980’s inception they have appeared in every incarnation; form and genre imaginable. Their cross-over success from film to animation to graphic novel and merchandising has varied greatly from medium to medium and from style to style. There is no definitive look or genesis of The Turtles. Their importance also remains largely to the degree ascribed by any viewer or selective non-participant in the phenomenon.  To date my personal favorite TMNT look and effort is by artist Michael Zulli and writer Stephen Murphy. Their first work as scribes was a single issue short story featured in Volume One Book 31 July 1990 “Souls Winter.” It ranks among the great works of comic book art. It is in form and fashion possibly the most unique and amazing work created by any artists working in the field of graphic story-telling. In particular it is Zulli’s drawing that takes the tale beyond illustration into the company of the world’s great art; high or low.




Zulli was first noted and responsible for a graphic series “The Puma Blues.” It was a post-apocalyptic vision of man kind’s obligation and place in the natural world. This experience gave Zulli a unique and distinctive vision to apply to the Eastman/Laird project. Zulli excelled, as he took the series to an unexpected place beyond the comic, beyond anything expected or seen before in any graphic book. “Souls Winter’ remains a bench mark. 



Nominated three times for Eisner’s Zulli is respected and admired by his peers and followers. He has worked on DC Comic’s Swamp Thing and Sandman with Neil Gaiman. He is current working on a personal project; “Fracture of the Universal Boy: Right Here and Now.”  “Fracture” consists of Zulli’s thoughts on life, love and art. What is essentially survival in our misanthropic times is a large part of the theme of the book. Click on the graphic below to see Michael Zulli’s own blog as his artistic life’s journey continues.

Sunday, February 24, 2013

the OSCARS

 
Winning the much coveted statuette “Oscar” is no less the pinnacle of success for all that make their lives in, through and around the film industry.  The 85th Annual Academy of Motion Picture Arts and Sciences Awards Ceremony will be held this Sunday night February 24th in their singular glory. Praise, adoration, glamour, riches accomplishment, purpose and joy live within this gold plated embodiment of “the stuff of dreams.”

There are nine nominees for the award of Best Picture. It is to the Academy’s credit that a total of nine candidates were selected in a category that allows for ten. This adds a special legitimacy to the choices. There is no reason to pick a tenth less accomplished piece just to fill a slot and nine are enough. The nominees are strong and varied in every way. Equally while uniquely worthy in fact they are truly all winners. Political intrigue, history, religion, childhood dreams and revolution are among the elements of these excellent works. Emancipation, rescue, revenge, survival and commitment are found along with feast; famine, love, hate and torture all brought to the big screen and this from the one feature “Zero Dark Thirty.” Imagine what the other eight are like with titles including “Beasts of the Southern Wild”, ”Silver Linings Notebook” and “Life of Pi.”  Twenty Twelve was an amazing year for the lovers of film and the nine nominees for best picture are:     

 
 

Amour

Margaret Menegoz, Stefan Arndt, Veit Heiduschka and Michael Katz   Producers

 
 
 

Argo
Grant Heslov, Ben Affleck and George Clooney    Producers




Beasts of the Southern Wild
Dan Janvey, Josh Penn and Michael Gottwald     Producers








Django Unchained

Stacey Sher, Reginald Hudlin and
Pilar Savone    Producers



Les Misérables

Tim Bevan, Eric Fellner, Debra Hayward and Cameron Mackintosh    Producers



 
 
 
Life of Pi
Gil Netter, Ang Lee and
David Womark Producers

 




 

Lincoln
 
Steven Spielberg and  Kathleen Kennedy   Producers
                 
                                                  
                                                                                                                                                     



Silver Linings Playbook

Donna Gigliotti, Bruce Cohen and
Jonathan Gordon   Producers


















Zero Dark ThirtyMark Boal, Kathryn Bigelow and Megan Ellison   Producers